Press Archive



C & G The Theater of Earth at Hollywood Weekly, September 2018




Allois’ Sensational, Sensual, Surrealist Portrait of Miss Guatemala Delights in Royal Wedding Edition of Hollywood Weekly




Allois Transcending Surrealistic Realms Hollywood Style at Hollywood Weekly, April, 2018



A Rising Star in the Hollywood Art Scene at Hollywood Weekly, March, 2018



Malibu Surfside News, February 8, 2018

Malibu Artist Brings Fresh Perspective to Local Shows

By: Barbara Burke

February 6, 2018

Allois, a prolific Malibu surrealist, has had a busy start to the new year, with new works on display.

On January 27, she participated in the CASA Wine + Art 2018 Charity Auction in the DTLA Art District Show and from Jan. 10-14, she was part of the LA Art Show 2018, curated by the bG art gallery. Read more

Malibu Times, January 25, 2018

Allois at Voltaire Club, West Palm Beach, Florida

NEW: Live music club Voltaire opens in downtown West Palm Beach

“The room’s steampunk vibe is softened by Victorian-style ornamentation, drapes and lighting fixtures. The most striking feature is the collection of framed art by Allois, a surrealist painter from Los Angeles who Rullman discovered. “When Rodney told me what the theme was going to be, I knew instantly that her style would fit,” he said. Palm Beach Post

Full text:

Oil painted giclee on canvas, edition of 150, “Aurora & Kent”, 40″ x 30″

Malibu Chronicles: Malibu Artist Allois Paints Visionary Atavistic Intrigue and Mystique (Article and Photos by Barbara Burke)

Full story in Malibu Chronicles

Usher and Usher II Book Reviews

THE FALL OF THE HOUSE OF USHER and USHER II by Edgar Allan Poe and Ray Bradbury, Illustrated by Allois, Gauntlet Publications 2010 (available at and

The father of horror combined with the godfather of the fantastic in one beautiful volume in a unique package that should have been done a long time ago.  Thankfully, Barry Hoffman over at Gauntlet has plenty of great ideas and set this up, inviting talented artist Allois to illustrate each scene in both stories.

The oversized book holds the tales in exquisite beauty, the gothic & Dali-esque pictures visualizing the elegance of Poe’s writing with the poetic simplicity of Bradbury’s everyman’s prose in a seamless combination.

For those unfamiliar with the stories, a brief summary.  Roderick Usher lays dying in the mansion on the tarn, hidden in the mountains.  His friend’s visit finds him near his last breath with the Usher name ready to die out forever.  With no heirs, only his sister remains to carry on his name – for a short while.  What ensues portrays the architecture for the modern haunted house story, yet this contains no ghosts.  The symbiotic relationship between Usher and his dwelling epitomizes Poe’s mastery of language and setting in a manner none have matched since.   Bradbury continues the Usher legacy on Mars in a tale which predates Fahrenheit 451 but lays the groundwork for the novel which tackled censorship and hasn’t been matched yet in scope. A jaded writer builds the futuristic mansion where he can live in creative freedom.  However, censorship follows him from Earth and in a nod to “The Cask of Amotillado,” deal with the detective.

Plenty can be said about two stories which many know well (or should) or how Allois’ artwork stuns in its stark rendering of both authors’ images, but it is how all three elements meld together in one of those few collector’s packages that is worth the price.

Dave Simms, Horror World Book Reviews

Jan 31, 2011

Here is a true collaboration of master artists in the form of a brilliant and astounding fine art novel available now from Gauntlet press. The preeminent Gothic tale by American writer Edgar Allan Poe has resounded through time as one of the most recognizable stories ever written. Madness and utter desolation unfold in Poe’s original tale of psychological horror and, in this stunning volume, the celebrated painter and illustrator, Allois, lends dire gravitas Roderick Usher’s downward trajectory with her bizarre and startling images of death and decay. Renowned author Ray Bradbury’s retelling of Poe’s benchmark tale, “Usher II”, was first seen his celebrated Martian Chronicles, wherein the doomed House of Usher rose and fell once more. Allois further intensifies “Usher II” with astounding visuals that elevate the entire volume into an unsettling fine art experience that must be seen to be believed. Each page of this oversized hardback is illustrated in full color, accompanying devastating narratives from two of history’s finest writers of fantastic fiction. THE FALL OF THE HOUSE OF USHER and USHER II is not merely a book, my friends; it is an event!

© J.L Comeau, The Tomb of Dark Delights


THE FALL OF THE HOUSE OF USHER and USHER II, by Ray Bradbury and Edgar Allan Poe, Illustrated by Allois. Gauntlet (, 2010, 72 pp., ISBN 1-934267-20-1

Herein contains the classic “house of horror” tale — a veritable banquet of all that is creepy regarding the very atypical haunted house, the classic by Poe, with bled-page illustrations. (Maybe the term, “bleed from the page,” would suffice?)

Almost better yet is the homage to Poe’s tale by Bradbury, who instills the horror of censorism with a nightmarish look at a future based on his novel, FAHRENHEIT 451. In this case, the tale is set on a colonized and whitewashed Mars – where a very wealthy man actually BUILDS the house Poe created. Only in this case, the house is stocked with robots – until the censors come to disassemble it. But highly creative and motivated projects don’t die so easily.

Andrew Andrews (Editor/Publisher)


About the Artist

Allois is an American painter and illustrator, best known for the striking and bizarre images of Aliens in her surrealist work. She illustrated collectible edition of the stories by Edgar Allan Poe and Ray Bradbury "THE FALL OF THE HOUSE OF USHER/USHER II," published by Gauntlet Press in 2010.


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